The centerpiece of the album is the psychedelic drug opus “I Feel Like Dying.” The beat is an agonizingly slow reworking of indie-folk singer Karma’s “Once,” flipping her tale of addiction and codependence into a chorus of “Only when the drugs are gone/I feel like dying.” Wayne is at his tripped-out best, croaking lines like: Lil’ Wayne is the master of one-liners and clever twists of phrase, which means that even when he’s rapping about nothing it still sounds brilliant. While his subject matter may not push the limits, his rhyming does. If any other rapper tried to rhyme “turtle” three times in a row it would irritate the hell out of me. I’m like a turtle, when I sip the purple” I feel like I’m racing a bunch of little turtles I’m runnin’ this and I can jump the hurdles “You can’t find me ’cause I’m lost in the music He manages to make even the most dubious rhyme schemes and lyrics sound good. In the hands of a lesser talent, the end result wouldn’t any good, but Wayne makes it work.
THE CARTER 3 ALBUM LEAK FREE
From what I understand, he never writes his raps down, and instead free associates his rhymes while the tape is rolling. Bukowski put out a million books and books of poetry that were all pretty much about him being a drunken asshole Weezy, by comparison, has laid down hours of music in which he raps about money, jewels, weed, and bitches. Both men produced mountains of work, and both men seemed to believe that almost anything they put down was worth publishing. Lil’ Wayne reminds of the late writer Charles Bukowski. After labeling himself the Best Rapper Alive a few years ago, he is on a mission to prove it, and he has definitely built up a solid body of work to prove his claim. He has also been on practically every album released last year, offering his croaky voice to artists as diverse as Jay-Z and Little Brother. He has recorded and released a bajillion songs in 2007, and almost as many mixtapes. He is going through an insanely prolific creative streak, even by hip hop’s album-a-year standards. There is no question that Wayne is on the roll of a lifetime. Who pays for his studio time? Who pays the producer? How do you make money when you pay Kanye for a beat and then release it on a mixtape? Most importantly, how does Universal, his record label, feel about all of this? What really confuses me is how this fits in with Wayne’s other mixtape releases this year, or how these mixtapes work with his business plan in general. It isn’t a mixtape, per se – where’s the loud cover? Where are the DJ shout-outs? Where’s Young Money’s commentary? From what I can gather from the Internet, this is a collection of leaked material from the “Carter III” sessions that Wayne decided to release as a mixtape. The cover has a picture of Lil’ Wayne with “The Carter III” written on it, but when I put the disc in my computer, itunes called it “The Leak” (not to be confused with the EP of the same name released electronically in December). It’s in a slim jewel case with no information about who released it.
It does not store any personal data.I’ll be honest – this CD confuses me. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
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